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Bartók forever
Mariä Wiegenlied Op. 76 No. 52
Bartók forever
1:38 Est. Play
Time
43 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 30 47 11 6 100%
Bass 23 5 4 4 100%
Voice Treble 12 0 4 6 81%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 30 47 11 6 100%
Bass 23 5 4 4 100%
Voice Treble 12 0 4 6 81%
 
Pavane. The Earle of Salisbury
Bartók forever
1:45 Est. Play
Time
17 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Virginal Treble 14 3 3 8 97%
Treble 14 2 3 17 97%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Virginal Treble 14 3 3 8 97%
Treble 14 2 3 17 97%
Bass 18 7 2 6 89%
Bass 18 7 2 7 89%
 
Chromatic Invention (2)
Bartók forever
0:01 Est. Play
Time
33 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Posaune Bass 8 0 4 3 94%
Trompete
in
B		 Treble 8 0 3 2 91%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Posaune Bass 8 0 4 3 94%
Trompete
in
B		 Treble 8 0 3 2 91%
Piccoloflöte Treble 10 0 4 1 64%
Tuba Bass 10 0 4 1 55%
 
Three Renaissance Versi
Bartók forever
1:37 Est. Play
Time
29 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Orgel Treble 22 0 9 7 87%
Treble 3 0 1 2 4%
Bass 22 0 7 5 76%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Orgel Treble 22 0 9 7 87%
Treble 3 0 1 2 4%
Bass 22 0 7 5 76%
 
Mir nach spricht Christus unser Heldt
Bartók forever
2:06 Est. Play
Time
23 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Orgel Treble 19 0 3 6 97%
Treble 15 0 1 7 90%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Orgel Treble 19 0 3 6 97%
Treble 15 0 1 7 90%
Bass 18 0 5 6 97%
Stimme Treble 8 0 0 6 66%
 
Choral hypocrite
Bartók forever
0:53 Est. Play
Time
10 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violine Treble 12 13 0 4 100%
Klavier Treble 23 25 5 4 94%
Bass 10 9 1 3 71%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violine Treble 12 13 0 4 100%
Klavier Treble 23 25 5 4 94%
Bass 10 9 1 3 71%
 
Canon with Sustained Notes
Bartók forever
0:34 Est. Play
Time
33 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Trompete
in
B		 Treble 6 0 1 4 91%
Treble 6 0 1 4 97%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Trompete
in
B		 Treble 6 0 1 4 91%
Treble 6 0 1 4 97%
Bassposaune Bass 7 0 2 4 97%
Posaune Bass 5 0 1 3 91%
 
Schäfers Klagelied D 121 (1814)
Bartók forever
2:48 Est. Play
Time
62 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 22 21 9 7 97%
Bass 22 13 7 4 91%
Voice Treble 15 0 5 5 95%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 22 21 9 7 97%
Bass 22 13 7 4 91%
Voice Treble 15 0 5 5 95%
 
Two Giggs
Bartók forever
2:06 Est. Play
Time
47 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Virginal Treble 17 6 3 6 100%
Treble 17 4 3 5 97%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Virginal Treble 17 6 3 6 100%
Treble 17 4 3 5 97%
Bass 18 16 4 6 84%
Bass 21 16 4 6 84%